The November 4 Blask snapshot tells a stark story. Out of 26,000 titles tracked across 17 countries, 24,000 are slots — 91.5% of the entire catalogue. This isn’t just a dominant share; it’s a de-facto genre monopoly that shapes how operators design their lobbies and how providers plan their pipelines.
The findings draw on the new Global Games dashboard. Every day, Blask renders thousands of casino lobbies and category pages. It uses computer vision to recognize titles and calculates a GVR, or Game Visibility Rank — a seat-by-seat measure of where a game actually appears. Blask then aggregates these signals by country, brand, and title. In other words, it observes what’s on display, it doesn’t guess at popularity.
Blask recognizes 29 genres as of the snapshot.
The top five categories by share are:
Slots (91.51% or 24,191), Instant Win (1.08% or 285), Crash (1.06% or 280), Dice (0.89% or 234), and Scratch (0.72% or 190).
Then comes the long tail: Bingo which is 0.54% or 144; Table Games, 0.48% or 128; Roulette, 0.39% or 103; Video Poker, 0.36% or 95; Blackjack, 0.25% or 65; Slingo, 0.31% or 82, and so on.
Slots don’t just lead, taken together. Instead, they overwhelm the rest of the catalogue by an order of magnitude. This is one reason operators lead on themed reskins, as well as seasonal variations of the same slot core that localize cleanly and scale fast.
A top-20 ranking to be wall-to-wall slots may be expected. The November 4 table is more nuanced.
14 slots, which is 70%, Gates of Olympus 1000, Sweet Bonanza 1000, Sugar Rush, Book of Dead, and others.
2 roulette titles which is 10%, Roulette European, Mega Roulette.
2 live-dealer entries which is 10%, Roulette Lite, Live Speed Roulette.
1 crash at 5% at Aviator.
1 blackjack at 5% in Blackjack.
